Douglas Smith has created a series of action-packed illustrations for Sharpe’s Tiger that convey the drama and spirit of Bernard Cornwell’s novels. Much research was undertaken to ensure that the important period details are correct, and here the artist shows how he developed his artwork from roughs to finals.
Creating a successful book cover or binding design presents different challenges for each edition. When faced with a monumental book like Diarmaid MacCulloch’s A History of Christianity, the question was how to represent such a vast stretch of time, over a vast area of the globe. From editor to picture researcher to art director, the team here explain how they solved this particular tricky task.
We asked American palaeontologist Steve Brusatte to ensure that the illustrations for Folio’s edition were as accurate as they could be while still reflecting the world of Crichton's Jurassic Park. Here, Steve talks us through this process.
This time last year I was enormously fortunate to go to the house of Helen Oxenbury, one of my favourite children’s authors and illustrators, and the widow of John Burningham.
“With most book covers, you're trying to convey a concept rather than a person, but this was the opposite,” says illustrator Peter Strain.
We originally published Daniel Defoe’s description of living through the plague in 17th-century London way back in 1960 – the urge to revisit the book following the events of COVID-19 during the past year was irresistible.
The journey from shrink-wrap to sustainable paper. Back in 2019 we began to investigate replacing the plastic shrink-wrap on our books with a sustainable alternative.
Peter Forster, who died in January, was one of the outstanding wood engravers of the late 20th century. Much of his best work was produced for the Folio Society: between 1986 and 2003 he illustrated seven complete Folio volumes and contributed to three multi-artist publications.
