Fiction

A masterly facsimile of the acclaimed Golden Cockerel Press edition of Chaucer's masterpiece, this edition unites the talents of typographer Robert Gibbings and engraver Eric Gill.

One of the most beautiful works of the Arts and Crafts Movement, this lavish facsimile is bound in leather blocked in gold.

A Folio Society Limited Edition.
Limited to 750 hand-numbered copies.

Facsimiles of the original de luxe editions published in 1919 and 1920 and illustrated throughout in silhouette

Lavishly ornamented and illustrated by Alan Lee. The Old English texts and their translations by Michael Alexander are set on facing pages for ease of reading.

Salvador Dalí’s striking series of 50 watercolours inspired by the 1001 Nights with the tales, introduced by Robert Irwin, printed in a separate volume.

The Folio Society limited edition of the Poetic Edda presents the Old Norse poems in a manner which is at once elegant, accessible and discreetly scholarly.

Gulliver’s Travels is a complex work of adventure, satire, comedy and profound philosophical exploration. For this edition we approached the artist and writer Peter Suart, whose response is at once wickedly comic and engagingly cerebral.

Restored from his original manuscript, the first complete edition of one of the finest novels by Anthony Trollope. Published in association with The Trollope Society.

The hand-bound edition of The Duke’s Children. Presented in a solander box, this special copy of Trollope’s restored text is bound in leather blocked in 22-carat gold and hand-marbled on all three page edges by Jemma Lewis.

This new limited edition features an exclusive signed print by Dan Hillier, while the book lurks within a striking solander box. Limited to 750 copies. 

A Golden Age gift book in facsimile for the first time. Kay Nielsen’s rarest work with his virtuoso blend of folk-tale drawing and Art Deco stylisation illustrating 22 of the best-loved tales by the Brothers Grimm

Russell Hoban’s genre-defying masterpiece with a new essay by Quentin Blake and a specially-commissioned postscript by Dr Rowan Williams, former Archbishop of Canterbury.