Creating a successful book cover or binding design presents different challenges for each edition. When faced with a monumental book like Diarmaid MacCulloch’s A History of Christianity, the question was how to represent such a vast stretch of time, over a vast area of the globe. From editor to picture researcher to art director, the team here explain how they solved this particular tricky task.
We asked American palaeontologist Steve Brusatte to ensure that the illustrations for Folio’s edition were as accurate as they could be while still reflecting the world of Crichton's Jurassic Park. Here, Steve talks us through this process.
This time last year I was enormously fortunate to go to the house of Helen Oxenbury, one of my favourite children’s authors and illustrators, and the widow of John Burningham.
“With most book covers, you're trying to convey a concept rather than a person, but this was the opposite,” says illustrator Peter Strain.
When we realised that Cicely Mary Barker’s charming Flower Fairy stories were no longer available anywhere in the single volumes they were originally presented in, we couldn’t resist giving the collection the full Folio experience.
The Folio edition of The Northern Lights (or The Golden Compass in the US and Canada) includes illustrations drawn by the brilliant Philip Pullman. In this blog, Pullman explains for Folio readers how he created these incredible black-and-white images, and the inspiration behind them.
It’s that time of year when millions of young people are tentatively peeling open envelopes that will lead them towards the next stage in their life. Whatever the outcome, the years of study and surviving the stressful exam period are worthy of celebration … and what better gift than a beautiful book?
Award-winning illustrator James Albon captured the eccentricities of Mark Twain’s The Innocents Abroad with a series of stylish colour and black-and-white lino-cuts. Here, Albon shares his artistic process and how he approached this exciting project.
