
This Folio Life: It’s a wrap
The journey from shrink-wrap to sustainable paper. Back in 2019 we began to investigate replacing the plastic shrink-wrap on our books with a sustainable alternative.
The journey from shrink-wrap to sustainable paper. Back in 2019 we began to investigate replacing the plastic shrink-wrap on our books with a sustainable alternative.
Peter Forster, who died in January, was one of the outstanding wood engravers of the late 20th century. Much of his best work was produced for the Folio Society: between 1986 and 2003 he illustrated seven complete Folio volumes and contributed to three multi-artist publications.
‘Unpredictable changes have always taken place’, I wrote towards the end of my Afterword to The Stories of English. I penned that in November 2019. And three months later? Everyone knows.
We are so pleased to bring Charles van Sandwyk’s charming fairy letters to life in two beautiful Folio editions. It was a challenging project in terms of book production, with the journey to finished copies made even more complex due to working under the restrictions of COVID-19.
Douglas Smith has created a series of action-packed illustrations for Sharpe’s Tiger that convey the drama and spirit of Bernard Cornwell’s novels. Much research was undertaken to ensure that the important period details are correct, and here the artist shows how he developed his artwork from roughs to finals.
Celebrating 50 years of Hunter S. Thompson’s Fear and Loathing in Las Vegas, we looked at the legacy of Raoul Duke and Dr. Gonzo’s ‘savage journey’ and spoke to Neil Gower about how he took on the mammoth task of colouring Ralph Steadman’s original illustrations.
Announcing the first in an exciting suite of 75th birthday celebrations, The Folio Society, London publisher of award-winning and beautifully produced illustrated hardback books, available worldwide, announces that entries are open for the launch of the international Folio Book Illustration Award (Folio BIA).
Sylvia Plath’s The Bell Jar tells the achingly sad and darkly humorous story of a woman’s spiralling descent into breakdown. Painter and sculptor Alexandra Levasseur talks through two of her illustrations for Folio’s The Bell Jar, and how she worked to encapsulate Plath’s turmoil.