The Shadow of the Wind

ABOUT THE ILLUSTRATOR

Born in Buenos Aires in 1970, Jorge Gonzalez has lived in Spain for almost twenty years. His conceptual, graphic style is stylised and González uses media including pastel, collage, charcoal and coloured pencil in his work. His book Fueye/Bandonéon won First Prize for Graphic Novel FNAC-Sinsentido in 2009. He also published the children’s stories La Cueva del Bandolero and Kinú y la ley de Amarok and Hate Jazz. He is the author of the animated short film Jazz Song and collaborates with The New Yorker. His latest publications include The Lord of the Flies, Memories of the Subsoil, and Barbosa the Pirate.

ABOUT THE ILLUSTRATOR

Born in Buenos Aires in 1970, Jorge Gonzalez has lived in Spain for almost twenty years. His conceptual, graphic style is stylised and González uses media including pastel, collage, charcoal and coloured pencil in his work. His book Fueye/Bandonéon won First Prize for Graphic Novel FNAC-Sinsentido in 2009. He also published the children’s stories La Cueva del Bandolero and Kinú y la ley de Amarok and Hate Jazz. He is the author of the animated short film Jazz Song and collaborates with The New Yorker. His latest publications include The Lord of the Flies, Memories of the Subsoil, and Barbosa the Pirate.

ABOUT THE ILLUSTRATOR

Born in Buenos Aires in 1970, Jorge Gonzalez has lived in Spain for almost twenty years. His conceptual, graphic style is stylised and González uses media including pastel, collage, charcoal and coloured pencil in his work. His book Fueye/Bandonéon won First Prize for Graphic Novel FNAC-Sinsentido in 2009. He also published the children’s stories La Cueva del Bandolero and Kinú y la ley de Amarok and Hate Jazz. He is the author of the animated short film Jazz Song and collaborates with The New Yorker. His latest publications include The Lord of the Flies, Memories of the Subsoil, and Barbosa the Pirate.

ABOUT THE ILLUSTRATOR

Born in Buenos Aires in 1970, Jorge Gonzalez has lived in Spain for almost twenty years. His conceptual, graphic style is stylised and González uses media including pastel, collage, charcoal and coloured pencil in his work. His book Fueye/Bandonéon won First Prize for Graphic Novel FNAC-Sinsentido in 2009. He also published the children’s stories La Cueva del Bandolero and Kinú y la ley de Amarok and Hate Jazz. He is the author of the animated short film Jazz Song and collaborates with The New Yorker. His latest publications include The Lord of the Flies, Memories of the Subsoil, and Barbosa the Pirate.

ABOUT THE ILLUSTRATOR

Born in Buenos Aires in 1970, Jorge Gonzalez has lived in Spain for almost twenty years. His conceptual, graphic style is stylised and González uses media including pastel, collage, charcoal and coloured pencil in his work. His book Fueye/Bandonéon won First Prize for Graphic Novel FNAC-Sinsentido in 2009. He also published the children’s stories La Cueva del Bandolero and Kinú y la ley de Amarok and Hate Jazz. He is the author of the animated short film Jazz Song and collaborates with The New Yorker. His latest publications include The Lord of the Flies, Memories of the Subsoil, and Barbosa the Pirate.

ABOUT THE ILLUSTRATOR

Born in Buenos Aires in 1970, Jorge Gonzalez has lived in Spain for almost twenty years. His conceptual, graphic style is stylised and González uses media including pastel, collage, charcoal and coloured pencil in his work. His book Fueye/Bandonéon won First Prize for Graphic Novel FNAC-Sinsentido in 2009. He also published the children’s stories La Cueva del Bandolero and Kinú y la ley de Amarok and Hate Jazz. He is the author of the animated short film Jazz Song and collaborates with The New Yorker. His latest publications include The Lord of the Flies, Memories of the Subsoil, and Barbosa the Pirate.