The Red House Mystery
Illustrated by Mark Thomas
Introduced by Ann Thwaite
From the pen that brought you Winnie-the-Pooh and When We Were Very Young comes this tale of murder, deceit, jealousy and croquet.
When ne’er-do-well Robert Ablett is found dead at his brother’s idyllic country house a crime of passion or an unfortunate accident seem the most obvious explanations. But to dapper would-be sleuth Antony Gillingham, the death – and the baffling disappearance of the man of the house – suggests a far stranger story. Eagerly assisted by his friend Bill Beverley – the Watson to his Holmes – Gillingham sets out to discover the truth.
This was A. A. Milne’s first and last – though successful – true venture into crime writing, a genre he declared a passion for. Light-hearted and gently suspenseful, The Red House Mystery is brilliantly crafted to offer the reader pleasure in both following Gillingham’s methods and attempting to outwit him. As Milne notes in his introduction, the crime writer has two choices when conveying the detective’s thought process – to ‘watsonise or soliloquise’. Milne opts for the former, and in doing so creates two endearing characters who contrast and complement one another as they investigate croquet-boxes, uncover secret passages and deploy sleeping dummies as cover for moonlit expeditions. With sharp dialogue and a cast of engaging characters, this is a delightful caper for lovers of golden-age crime fiction, A. A. Milne fans and anyone who appreciates a lively, ingenious mystery.
This edition features an introduction by Milne’s biographer Ann Thwaite, and Milne’s own original 1926 introduction. Mark Thomas, whose work also appears in the Folio editions of The Floating Admiral and The Princess Bride, has created a series of stylish colour images, as well as integrated black and white illustrations. Also new to this edition is a plan of the eponymous house, devised by Thwaite and drawn by Thomas.
Bound in blocked cloth
Set in Goudy Old Style with Aphasia display
Frontispiece and 4 colour illustrations, and 9 integrated black & white illustrations
9˝ x 6¼˝