Maigret Set Two

About the Illustrator

Harry Brockway was born in Newport, South Wales, in 1958. He studied sculpture at Kingston-upon-Thames Art School and at the Royal Academy Schools in London before training to become a stonemason. Since 1989 he has worked as a stone-carver and illustrator. He uses a range of sculpting materials to create his art, including limestone, sandstone, slate, marble and wood. He has been a member of the Society of Wood Engravers since 1984, and has produced a significant body of work for Folio Society publications, including Frankenstein (2004; 2015), The Vision of Piers the Plowman (2014) and The Rime of the Ancient Mariner (2010; 2017).

About the Illustrator

Harry Brockway was born in Newport, South Wales, in 1958. He studied sculpture at Kingston-upon-Thames Art School and at the Royal Academy Schools in London before training to become a stonemason. Since 1989 he has worked as a stone-carver and illustrator. He uses a range of sculpting materials to create his art, including limestone, sandstone, slate, marble and wood. He has been a member of the Society of Wood Engravers since 1984, and has produced a significant body of work for Folio Society publications, including Frankenstein (2004; 2015), The Vision of Piers the Plowman (2014) and The Rime of the Ancient Mariner (2010; 2017).

About the Illustrator

Harry Brockway was born in Newport, South Wales, in 1958. He studied sculpture at Kingston-upon-Thames Art School and at the Royal Academy Schools in London before training to become a stonemason. Since 1989 he has worked as a stone-carver and illustrator. He uses a range of sculpting materials to create his art, including limestone, sandstone, slate, marble and wood. He has been a member of the Society of Wood Engravers since 1984, and has produced a significant body of work for Folio Society publications, including Frankenstein (2004; 2015), The Vision of Piers the Plowman (2014) and The Rime of the Ancient Mariner (2010; 2017).

About the Illustrator

Harry Brockway was born in Newport, South Wales, in 1958. He studied sculpture at Kingston-upon-Thames Art School and at the Royal Academy Schools in London before training to become a stonemason. Since 1989 he has worked as a stone-carver and illustrator. He uses a range of sculpting materials to create his art, including limestone, sandstone, slate, marble and wood. He has been a member of the Society of Wood Engravers since 1984, and has produced a significant body of work for Folio Society publications, including Frankenstein (2004; 2015), The Vision of Piers the Plowman (2014) and The Rime of the Ancient Mariner (2010; 2017).

About the Illustrator

Harry Brockway was born in Newport, South Wales, in 1958. He studied sculpture at Kingston-upon-Thames Art School and at the Royal Academy Schools in London before training to become a stonemason. Since 1989 he has worked as a stone-carver and illustrator. He uses a range of sculpting materials to create his art, including limestone, sandstone, slate, marble and wood. He has been a member of the Society of Wood Engravers since 1984, and has produced a significant body of work for Folio Society publications, including Frankenstein (2004; 2015), The Vision of Piers the Plowman (2014) and The Rime of the Ancient Mariner (2010; 2017).

About the Illustrator

Harry Brockway was born in Newport, South Wales, in 1958. He studied sculpture at Kingston-upon-Thames Art School and at the Royal Academy Schools in London before training to become a stonemason. Since 1989 he has worked as a stone-carver and illustrator. He uses a range of sculpting materials to create his art, including limestone, sandstone, slate, marble and wood. He has been a member of the Society of Wood Engravers since 1984, and has produced a significant body of work for Folio Society publications, including Frankenstein (2004; 2015), The Vision of Piers the Plowman (2014) and The Rime of the Ancient Mariner (2010; 2017).