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Invisible Cities
● Only 40 Left in Stock
Invisible Cities
● Only 40 Left in Stock
Slipcase covered in textured paper blocked with gold foil
Printed endpapers
Gold and blind blocking on spine
Gold rules on quarter binding
Printed 4-colour throughout
Gorgeous, printed marbled endpapers give the feel of a prized find in an ancient market. This unique and wonderful oddity weaves together prose, poetry and philosophy, provoking questions about the complex nature of writing’s limitations alongside the impossible and beguiling spaces the novel’s characters inhabit. Jeanette Winterson’s insightful introduction encourages the reader to explore those questions further, giving us a valuable glimpse into Calvino’s world, writing process and evolution. Calvino’s words were just waiting for their perfect match and found them in this stunning Folio edition.
ABOUT THE ILLUSTRATOR
Dave McKean has released 60 books as an illustrator, author, photographer and designer, including Cages (1990–6, winner of two Harvey Awards, the Ignatz Award, La Pantera Award, and the Alph-Art Award), Pictures That Tick (2009, V&A Illustrated Book of the Year), and Black Dog: The Dreams of Paul Nash (2016, a 14–18 NOW Foundation/Imperial War Museum/LICAF commission). He has collaborated with Neil Gaiman (Sandman, 1989–97; Coraline, 2002), John Cale (What’s Welsh for Zen, 1998; Sedition and Alchemy, 2003), David Almond (The Savage, 2008), Richard Dawkins (The Magic of Reality, 2011), Heston Blumenthal (as Director of Story at The Fat Duck), and others. He has worked in theatre, galleries, and the music industry, and has written and directed three feature films: MirrorMask (2005), The Gospel of Us (2012, winner of two Cymru BAFTAs), and Luna (2014, winner of the Raindance Award for Best Picture, BIFA). For the Folio Society he has illustrated Neil Gaiman’s American Gods (2017), Richard Matheson’s I Am Legend (2018), Mervyn Peake’s Gormenghast (2022), Arkady & Boris Strugatsky’s Roadside Picnic (2023) and Invisible Cities (2023).
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ABOUT THE ILLUSTRATOR
Dave McKean has released 60 books as an illustrator, author, photographer and designer, including Cages (1990–6, winner of two Harvey Awards, the Ignatz Award, La Pantera Award, and the Alph-Art Award), Pictures That Tick (2009, V&A Illustrated Book of the Year), and Black Dog: The Dreams of Paul Nash (2016, a 14–18 NOW Foundation/Imperial War Museum/LICAF commission). He has collaborated with Neil Gaiman (Sandman, 1989–97; Coraline, 2002), John Cale (What’s Welsh for Zen, 1998; Sedition and Alchemy, 2003), David Almond (The Savage, 2008), Richard Dawkins (The Magic of Reality, 2011), Heston Blumenthal (as Director of Story at The Fat Duck), and others. He has worked in theatre, galleries, and the music industry, and has written and directed three feature films: MirrorMask (2005), The Gospel of Us (2012, winner of two Cymru BAFTAs), and Luna (2014, winner of the Raindance Award for Best Picture, BIFA). For the Folio Society he has illustrated Neil Gaiman’s American Gods (2017), Richard Matheson’s I Am Legend (2018), Mervyn Peake’s Gormenghast (2022), Arkady & Boris Strugatsky’s Roadside Picnic (2023) and Invisible Cities (2023).
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ABOUT THE ILLUSTRATOR
Dave McKean has released 60 books as an illustrator, author, photographer and designer, including Cages (1990–6, winner of two Harvey Awards, the Ignatz Award, La Pantera Award, and the Alph-Art Award), Pictures That Tick (2009, V&A Illustrated Book of the Year), and Black Dog: The Dreams of Paul Nash (2016, a 14–18 NOW Foundation/Imperial War Museum/LICAF commission). He has collaborated with Neil Gaiman (Sandman, 1989–97; Coraline, 2002), John Cale (What’s Welsh for Zen, 1998; Sedition and Alchemy, 2003), David Almond (The Savage, 2008), Richard Dawkins (The Magic of Reality, 2011), Heston Blumenthal (as Director of Story at The Fat Duck), and others. He has worked in theatre, galleries, and the music industry, and has written and directed three feature films: MirrorMask (2005), The Gospel of Us (2012, winner of two Cymru BAFTAs), and Luna (2014, winner of the Raindance Award for Best Picture, BIFA). For the Folio Society he has illustrated Neil Gaiman’s American Gods (2017), Richard Matheson’s I Am Legend (2018), Mervyn Peake’s Gormenghast (2022), Arkady & Boris Strugatsky’s Roadside Picnic (2023) and Invisible Cities (2023).
:fill(white)/https://www.foliosociety.com/static/cms/media/City-1rt.jpg)
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ABOUT THE ILLUSTRATOR
Dave McKean has released 60 books as an illustrator, author, photographer and designer, including Cages (1990–6, winner of two Harvey Awards, the Ignatz Award, La Pantera Award, and the Alph-Art Award), Pictures That Tick (2009, V&A Illustrated Book of the Year), and Black Dog: The Dreams of Paul Nash (2016, a 14–18 NOW Foundation/Imperial War Museum/LICAF commission). He has collaborated with Neil Gaiman (Sandman, 1989–97; Coraline, 2002), John Cale (What’s Welsh for Zen, 1998; Sedition and Alchemy, 2003), David Almond (The Savage, 2008), Richard Dawkins (The Magic of Reality, 2011), Heston Blumenthal (as Director of Story at The Fat Duck), and others. He has worked in theatre, galleries, and the music industry, and has written and directed three feature films: MirrorMask (2005), The Gospel of Us (2012, winner of two Cymru BAFTAs), and Luna (2014, winner of the Raindance Award for Best Picture, BIFA). For the Folio Society he has illustrated Neil Gaiman’s American Gods (2017), Richard Matheson’s I Am Legend (2018), Mervyn Peake’s Gormenghast (2022), Arkady & Boris Strugatsky’s Roadside Picnic (2023) and Invisible Cities (2023).
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ABOUT THE ILLUSTRATOR
Dave McKean has released 60 books as an illustrator, author, photographer and designer, including Cages (1990–6, winner of two Harvey Awards, the Ignatz Award, La Pantera Award, and the Alph-Art Award), Pictures That Tick (2009, V&A Illustrated Book of the Year), and Black Dog: The Dreams of Paul Nash (2016, a 14–18 NOW Foundation/Imperial War Museum/LICAF commission). He has collaborated with Neil Gaiman (Sandman, 1989–97; Coraline, 2002), John Cale (What’s Welsh for Zen, 1998; Sedition and Alchemy, 2003), David Almond (The Savage, 2008), Richard Dawkins (The Magic of Reality, 2011), Heston Blumenthal (as Director of Story at The Fat Duck), and others. He has worked in theatre, galleries, and the music industry, and has written and directed three feature films: MirrorMask (2005), The Gospel of Us (2012, winner of two Cymru BAFTAs), and Luna (2014, winner of the Raindance Award for Best Picture, BIFA). For the Folio Society he has illustrated Neil Gaiman’s American Gods (2017), Richard Matheson’s I Am Legend (2018), Mervyn Peake’s Gormenghast (2022), Arkady & Boris Strugatsky’s Roadside Picnic (2023) and Invisible Cities (2023).
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ABOUT THE ILLUSTRATOR
Dave McKean has released 60 books as an illustrator, author, photographer and designer, including Cages (1990–6, winner of two Harvey Awards, the Ignatz Award, La Pantera Award, and the Alph-Art Award), Pictures That Tick (2009, V&A Illustrated Book of the Year), and Black Dog: The Dreams of Paul Nash (2016, a 14–18 NOW Foundation/Imperial War Museum/LICAF commission). He has collaborated with Neil Gaiman (Sandman, 1989–97; Coraline, 2002), John Cale (What’s Welsh for Zen, 1998; Sedition and Alchemy, 2003), David Almond (The Savage, 2008), Richard Dawkins (The Magic of Reality, 2011), Heston Blumenthal (as Director of Story at The Fat Duck), and others. He has worked in theatre, galleries, and the music industry, and has written and directed three feature films: MirrorMask (2005), The Gospel of Us (2012, winner of two Cymru BAFTAs), and Luna (2014, winner of the Raindance Award for Best Picture, BIFA). For the Folio Society he has illustrated Neil Gaiman’s American Gods (2017), Richard Matheson’s I Am Legend (2018), Mervyn Peake’s Gormenghast (2022), Arkady & Boris Strugatsky’s Roadside Picnic (2023) and Invisible Cities (2023).
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Italo Calvino was an Italian journalist and writer of short stories and novels. His best-known works include the Our Ancestors trilogy (1952–9), the Cosmicomics short stories collection (1965), and the novels Invisible Cities (1972; Folio 2023) and If on a Winter’s Night a Traveller (1979). Calvino was originally engaged by his publisher, Einaudi, to select and retell stories from the Italian oral tradition to demonstrate Italy’s wealth of folk and fairy tales compared with the better-known traditions of Northern Europe. This work was published in 1956 as Fiabe italiane (Italian Folktales, Folio 2019), and it established Calvino as a worthy rival to the monumental Brothers Grimm, Perrault, et al. Calvino was the most translated contemporary Italian writer at the time of his death in 1985.
Jeanette Winterson is the author of ten novels, including Oranges are Not the Only Fruit (1985), The Passion (1987) and Sexing the Cherry (1989); a book of short stories, The World and Other Places (1988); a collection of essays, Art Objects (1995); and a memoir, Why Be Happy When You Could Be Normal? (2011), as well as many other works, including children’s books, screenplays and articles. Her writing has won the Whitbread Award for Best First Novel, the John Llewellyn Rhys Memorial Prize, the E. M. Forster Award and the Prix d’Argent at the Cannes Film Festival.