The Murder of Roger Ackroyd

About the Illustrator

Andrew Davidson studied graphic design at Norwich School of Art and then at the Royal College of Art. He is known for his use of traditional engraving and printing methods. Davidson also paints traditionally, using gouache, and prints block-colour illustrations with wood blocks. He works with French or Japanese paper, engraving on English boxwood and printing the blocks on an 1859 Albion hand press. He has worked with publishers including HarperCollins, Transworld, Faber and Faber, Random House, Penguin Books and Oxford University Press, and also with Shell, BP, Rolex, the All England Lawn Tennis Association, Amtrak, Railtrack, Cunard, Mitchell and Butler, Shepherd Neame, Highland Distillers and the National Museums of Scotland.

About the Illustrator

Andrew Davidson studied graphic design at Norwich School of Art and then at the Royal College of Art. He is known for his use of traditional engraving and printing methods. Davidson also paints traditionally, using gouache, and prints block-colour illustrations with wood blocks. He works with French or Japanese paper, engraving on English boxwood and printing the blocks on an 1859 Albion hand press. He has worked with publishers including HarperCollins, Transworld, Faber and Faber, Random House, Penguin Books and Oxford University Press, and also with Shell, BP, Rolex, the All England Lawn Tennis Association, Amtrak, Railtrack, Cunard, Mitchell and Butler, Shepherd Neame, Highland Distillers and the National Museums of Scotland.

About the Illustrator

Andrew Davidson studied graphic design at Norwich School of Art and then at the Royal College of Art. He is known for his use of traditional engraving and printing methods. Davidson also paints traditionally, using gouache, and prints block-colour illustrations with wood blocks. He works with French or Japanese paper, engraving on English boxwood and printing the blocks on an 1859 Albion hand press. He has worked with publishers including HarperCollins, Transworld, Faber and Faber, Random House, Penguin Books and Oxford University Press, and also with Shell, BP, Rolex, the All England Lawn Tennis Association, Amtrak, Railtrack, Cunard, Mitchell and Butler, Shepherd Neame, Highland Distillers and the National Museums of Scotland.

About the Illustrator

Andrew Davidson studied graphic design at Norwich School of Art and then at the Royal College of Art. He is known for his use of traditional engraving and printing methods. Davidson also paints traditionally, using gouache, and prints block-colour illustrations with wood blocks. He works with French or Japanese paper, engraving on English boxwood and printing the blocks on an 1859 Albion hand press. He has worked with publishers including HarperCollins, Transworld, Faber and Faber, Random House, Penguin Books and Oxford University Press, and also with Shell, BP, Rolex, the All England Lawn Tennis Association, Amtrak, Railtrack, Cunard, Mitchell and Butler, Shepherd Neame, Highland Distillers and the National Museums of Scotland.

About the Illustrator

Andrew Davidson studied graphic design at Norwich School of Art and then at the Royal College of Art. He is known for his use of traditional engraving and printing methods. Davidson also paints traditionally, using gouache, and prints block-colour illustrations with wood blocks. He works with French or Japanese paper, engraving on English boxwood and printing the blocks on an 1859 Albion hand press. He has worked with publishers including HarperCollins, Transworld, Faber and Faber, Random House, Penguin Books and Oxford University Press, and also with Shell, BP, Rolex, the All England Lawn Tennis Association, Amtrak, Railtrack, Cunard, Mitchell and Butler, Shepherd Neame, Highland Distillers and the National Museums of Scotland.

About the Illustrator

Andrew Davidson studied graphic design at Norwich School of Art and then at the Royal College of Art. He is known for his use of traditional engraving and printing methods. Davidson also paints traditionally, using gouache, and prints block-colour illustrations with wood blocks. He works with French or Japanese paper, engraving on English boxwood and printing the blocks on an 1859 Albion hand press. He has worked with publishers including HarperCollins, Transworld, Faber and Faber, Random House, Penguin Books and Oxford University Press, and also with Shell, BP, Rolex, the All England Lawn Tennis Association, Amtrak, Railtrack, Cunard, Mitchell and Butler, Shepherd Neame, Highland Distillers and the National Museums of Scotland.