Amateur detective Albert Campion is back on the case in the latest in Folio’s popular Margery Allingham series. This time, our doyenne of crime is illustrated by Darya Shnykina.
Murder on the Orient Express
Illustrated by Andrew Davidson
One of the most celebrated Hercule Poirot novels, Agatha Christie’s Murder on the Orient Express is presented as a glorious Folio Society edition illustrated by Andrew Davidson.
A curious group of passengers is assembled on the Istanbul–Calais coach of the Simplon Orient Express. They include a Russian princess, an Italian salesman, an English colonel … and Hercule Poirot. The morning after the train is stopped dead by a deep snowdrift, American millionaire Mr Ratchett is found stabbed to death, his compartment bolted on the inside. It is clear that the murderer must be one of his fellow passengers and must therefore still be on the train. One of Christie’s most famous novels, Murder on the Orient Express boasts a truly audacious solution and has kept readers rapt since it was first published in 1934. This edition is published in series with our other Poirot mysteries and features a blocked binding and arresting illustrations by Andrew Davidson.
‘The murderer is with us – on the train now ...’
Bound in blocked buckram
Set in Bell
Frontispiece and 6 colour illustrations
9˝ x 5¾˝
Famed for its ingenious setting, carousel of suspects and startling dénouement, Murder on the Orient Express is surely one of Agatha Christie’s best-known and best-loved novels. Published in series with The Murder of Roger Ackroyd and Five Little Pigs, this gorgeous edition is also illustrated by Andrew Davidson, whose artwok heightens the atmosphere, as the tension escalates and fellow passengers become suspects. A stunning buckram binding is blocked in gold, with a design by Davidson.
Andrew Davidson studied graphic design at Norwich School of Art and then at the Royal College of Art. He is known for his use of traditional engraving and printing methods. Davidson also paints traditionally, using gouache, and prints block-colour illustrations with wood blocks. He works with French or Japanese paper, engraving on English boxwood and printing the blocks on an 1859 Albion hand press. He has worked with publishers including HarperCollins, Transworld, Faber and Faber, Random House, Penguin Books and Oxford University Press, and also with Shell, BP, Rolex, the All England Lawn Tennis Association, Amtrak, Railtrack, Cunard, Mitchell and Butler, Shepherd Neame, Highland Distillers and the National Museums of Scotland.
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