
This Folio Life: It’s a wrap
The journey from shrink-wrap to sustainable paper. Back in 2019 we began to investigate replacing the plastic shrink-wrap on our books with a sustainable alternative.
The journey from shrink-wrap to sustainable paper. Back in 2019 we began to investigate replacing the plastic shrink-wrap on our books with a sustainable alternative.
Peter Forster, who died in January, was one of the outstanding wood engravers of the late 20th century. Much of his best work was produced for the Folio Society: between 1986 and 2003 he illustrated seven complete Folio volumes and contributed to three multi-artist publications.
‘Unpredictable changes have always taken place’, I wrote towards the end of my Afterword to The Stories of English. I penned that in November 2019. And three months later? Everyone knows.
We are so pleased to bring Charles van Sandwyk’s charming fairy letters to life in two beautiful Folio editions. It was a challenging project in terms of book production, with the journey to finished copies made even more complex due to working under the restrictions of COVID-19.
Douglas Smith has created a series of action-packed illustrations for Sharpe’s Tiger that convey the drama and spirit of Bernard Cornwell’s novels. Much research was undertaken to ensure that the important period details are correct, and here the artist shows how he developed his artwork from roughs to finals.
The Folio edition of The Northern Lights (or The Golden Compass in the US and Canada) includes illustrations drawn by the brilliant Philip Pullman. In this blog, Pullman explains for Folio readers how he created these incredible black-and-white images, and the inspiration behind them.
It’s that time of year when millions of young people are tentatively peeling open envelopes that will lead them towards the next stage in their life. Whatever the outcome, the years of study and surviving the stressful exam period are worthy of celebration … and what better gift than a beautiful book?
Award-winning illustrator James Albon captured the eccentricities of Mark Twain’s The Innocents Abroad with a series of stylish colour and black-and-white lino-cuts. Here, Albon shares his artistic process and how he approached this exciting project.