New Books
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COLLECTORS’ EDITIONS FOR BOOK-LOVERS EVERYWHERE


From our first books in 1947 we have made it our goal to furnish readers with beautiful and authoritative editions of great literary works.

The Folio Society brings together a worldwide community of booklovers who appreciate the quality and craftsmanship of fine editions. We have long been a haven for the eclectic and open-minded reader, providing a real depth both within and across genres.

Our non-fiction list ranges from the elegant poetic axioms of the Tao Tê Ching to the hard-nosed historical analysis of Antony Beevor’s Stalingrad and the unexpected observations in Albert Einstein’s Ideas and Opinions; whilst our fiction spans Seamus Heaney’s brilliant translation of Beowulf, the intoxicating short stories of William Trevor and the wit and whimsy of Kenneth Grahame’s The Wind in the Willows.


 


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four gospels

Liber Bestiarum

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EDITORIAL APPROACH


We are fortunate at Folio to be able to allocate care and attention to each individual book. Because the range of books we publish is so diverse, so also is our approach. From choosing the best translations to negotiating revisions with an author; from fact-checking at an array of specialist libraries across the world to emending the textual imperfections which often creep into modern editions of classic works – we aspire to give our members an enhanced experience of their favourite books. A rarity within the modern publishing world, our team of dedicated editors ensures that each book is proofread twice as well as being sensitively and knowledgeably re-edited as close to the authors wishes as possible.


BOOK INTRODUCTIONS


At The Folio Society we select leading figures in the academic and literary world who act as the reader’s companion, whetting the appetite for the book and setting the work in context. Writers of the calibre of Peter Ackroyd, Max Hastings, Colm Tóibín, A. S. Byatt, Penelope Lively, Terry Jones and Julian Barnes are just some of those who have recently contributed to Folio publications.


THE TEXTS AND ADDITIONAL FEATURES


Our editors work closely with the Art Department to ensure the perfect artist is commissioned for a novel, and continuing this process, both teams work with the artist on interpretation and details. Where our own knowledge ends we call in experts, who have advised us on specialisms from the transliteration of Chinese characters (in the Tao Tê Ching) to the intricacies of devising a naval battle-plan (for Patrick O'Brian's swashbucking bestsellers). Even the less celebrated elements of every text are looked at afresh: if we think the original index insufficient, we will commission a completely new one; if a pre-existing map isn’t of adequate quality, we will have it redrawn. All this time we will work closely with authors and estates: from correcting typos, to revising or updating works of non-fiction, our editorial team prides itself on ensuring each of our works is the best edition available.



 
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THE BINDING DESIGNS


Fine Book Binding

One of the key features of Folio books is the rich variety and sophistication of the binding designs.

A wide range of traditional materials – such as buckram, cotton, silk or leather, printed or hand-marbled paper, gold blocking, coloured blocking, gilded or coloured edges – is employed for the bindings. These fabrics are the foundation upon which the artists and designers produce their creations. Sometimes their designs are printed in ink, but more often they are blocked – that is to say, impressed with foil into the surface of the material; frequently the two processes are employed together.

Variety is a keynote of a Folio binding, another feature is its strength: Book spines are sewn, not glued, to enable them to lie flat and not crack. Every resource is employed to make a Folio book last for generations.


THE PAPER


The papers for Folio Society books are produced by a small number of European mills, chosen for their ability to produce the highest quality papers with absolute consistency. The selection of paper for a particular book will involve deciding on a shade and character which harmonises with the illustrations and binding materials. Books printed on inferior stocks will go brown and brittle within a few years; all Folio books are printed on wood-free and acid-free paper, designed for reading and re-reading over many generations. Many books feature decorated head and tail bands in colours carefully selected to match the designs to form a finishing touch.

THE SLIPCASE


A distinctive feature of Folio Society books which immediately strikes the eye is their presentation not in dust-jackets but in slipcases – the traditional protective covering for fine editions. The dust-jacket evolved in the 20th century as a marketing device designed to catch the eye in a crowded bookshop. It does not, however, protect the book, and is itself easily damaged. With Folio books the design emphasis is on the binding itself, a permanent feature of the book. Fine bindings need protection from dust and light, and this is provided by the slipcase, and at times a robust box covered in coloured paper, ornamented with printing or blocking.


THE TYPOGRAPHY


The heart of a well-designed book is its words, and at Folio an immense amount of creative energy is spent on the typography which communicates these words to the reader. Good typography is pleasing to the eye, but never intrusive – consideration for the reader is paramount. In Folio books you will find a generous type-size, spacing and margins, embellished where appropriate with attractive display type and a restrained use of ornaments. In the typography of Folio books the traditional virtues of legibility and elegance are paramount, yet there is still immense scope for typographic inventiveness, and a wide variety of typefaces, both traditional and contemporary, is employed. Each one is carefully chosen to suit the character of the individual book.

 
Folio illustrations

BEAUTIFUL ILLUSTRATIONS


‘It’s extraordinary – the quality and range of illustration that The Folio Society has commissioned’
Quentin Blake
All Folio Society fiction, poetry and drama titles contain illustrations from the finest exponents of their art in the world today, almost all commissioned fresh for our editions.  Great care is taken to choose the right artist for every book, suiting their particular skills to the literary work under consideration. Some artists are household names, others are promising newcomers: what they have in common is an uncompromising dedication to their craft and a commitment to  striving towards perfection.

The illustrations in the earliest printed books were engraved on wooden blocks and many Folio Society books are still illustrated in this way. As well as wood engraving, Folio artists employ a wide variety of other methods including etching, linocut and auto-lithography. Whether the artist works in pencil or ink; paints in watercolour, oil, gouache or some other medium, we take the utmost care to ensure the highest possible quality of reproduction, and specify a variety of  different papers to best suit the character of the work.

Other titles – mostly from our non-fiction ranges – are generously illustrated with carefully researched works of art and photography to complement the text. Our dedicated Picture Research team is recognised as one of the finest in publishing.


You can now order many of our illustrations as prints at foliosocietyprints.com



ILLUSTRATION SUBMISSIONS


At The Folio Society we pride ourselves on using the best illustrators, carefully selected for each edition. If, after looking at our books, you feel your style would be suitable for us, please send examples of appropriate work in one of the following ways.

1. Send printed samples of your work to:
Illustration Submissions, The Folio Society, 44 Eagle Street, London, WC1R 4FS.

If you require samples sent back, you must include a stamped addressed envelope.
No applications can be accepted on CD or DVD.

2. Email a few lo-res jpegs of your work (email not to exceed 6MB)
    or send a a web-link to illustration@foliosociety.com.

We endeavour to reply to all submissions, as time allows.

 
Anna and Elena
Anna and Elena
Balbusso
Jonathan Burton
Jonathan Burton
Peter Suart
Peter Suart
Sam Weber
Sam Weber
Balbusso
Anna and Elena
Balbusso
Richardson
Matthew Richardson
Burton
Jonathan Burton
Omar Rayyan
Omar Rayyan
Sara Ogilvie
Sara Ogilvie
Daniel Haskett
Daniel Haskett

AWARD WINNERS & NOMINEES


2013

Five of our illustrators have been awarded a merit in the book category of the prestigious 3x3 Professional Show No.10 hosted by 3x3 - The Magazine of Contemporary Illustration in USA. The merited illustrators are:

Anna and Elena Balbusso for four illustrations and the binding for Eugene Onegin
David Hughes for one illustration in A Connecticut Yankee in King Arthur’s Court
Christopher Corr for one illustration in Loving
Patrick Leger for one illustration in The Postman Always Rings Twice

Anna and Elena Balbusso won the V&A Book Illustration Award for Eugene Onegin at this year’s V&A Illustration Awards 2013.
Association of Illustrators Illustration Awards 2013: Jonathan Burton won in the Design category for The Folio Society playing cards.
Gerard Hill won the Wheatley Medal from the Society of Indexers for the Folio edition of Livy’s Hannibal.
Society of Illustrators 55, Book Category (US): Gold to Anna and Elena Balbusso for their illustration 'Tatyana' from Eugene Onegin. Gold medal to Raquel Leis Allion for Art Direction, same title. (Medal given to the appropriate Art Director on each winning project).
Communication Arts, Award for Excellence: Anna and Elena Balbusso for Eugene Onegin.
Society of Illustrators 55, Sequential/Series (US): Silver to Jonathan Burton for The Folio Society playing cards, silver to Sheri Gee for Art Direction


2012

The Folio Society was shortlisted for the Independent Publisher of the Year 2012 at the British Book Awards.
British Book Design and Production Awards: Gulliver’s Travels won the Limited edition category and Fahrenheit 451 won the Literature category.
Society of Illustrators 54, Book Category (US): Gold to Anna and Elena Balbusso for The Handmaid’s Tale. Gold medal to Sheri Gee for Art Direction, same title. (Medal given to the appropriate Art Director on each winning project). Silver to Sam Weber for Fahrenheit 451, silver to Sheri Gee for Art Direction.
Communication Arts, Award for Excellence: Anna and Elena Balbusso for The Handmaid’s Tale and First Love.
Applied Arts Magazine, Award of Excellence 2012 Photography and Illustration Award: Anna and Elena Balbusso for The Handmaid’s Tale.
V&A Illustration Award: Best Illustrated Book Cover, Matthew Richardson for The Outsider.
Longman-History Today Awards 2012: Caroline Hotblack joint winner of Historical Picture Researcher of the Year for the Folio edition of Black Sea by Neal Ascherson.


2011

Association of Illustrators, Images 35, Books category: Silver for Jonathan Burton for The Hitchhikers Guide to the Galaxy.
V&A Illustration Award: shortlisted A. Richard Allen, Brat Farrar.


2010

D&AD awards: Sam Weber, Lord of the Flies got ‘in book’ (bronze equivalent).
Association of Illustrators, Images 34, Books category: Gold for Simon Pemberton for The Songlines, Silver to Jonathan Burton for Cover her Face, Bronze to Niroot Puttapipat for Myths and Legends of Russia.
V&A Illustration Awards: shortlisted – Alice Tait, Good Things; Sam Weber, Lord of the Flies; Tim Laing, Schindler’s Ark.
3x3 Pro Show, Book category: Silver to A. Richard Allen, Brat Farrar. Merit for Jeff Fisher, Hunting of the Snark; Daniel Haskett, As I Walked Out One Midsummer Morning.
Design Week Awards: shortlisted for The Brown Fairy Book (Omar Rayyan), The Hunting of the Snark (Jeff Fisher), Lord of the Flies (Sam Weber), The Songlines (Simon Pemberton) and The Wonderful Wizard of Oz (Sara Ogilvie) – all books counted as one entry.
Longman-History Today Awards 2010: Julie McMahon winner of Historical Picture Researcher of the Year for the Folio edition of Stalingrad by Antony Beevor.


2009

Association of Illustrators, Images 33, Book category: Gold for Geoff Grandfield for Blackmailers Don't Shoot, Bronze for Swava Harasymowicz for Birdsong. Shortlisted: Chris Corr's Mandarins, Clare Mackie's Bingo Boys & Poodle Fakers.
V&A Illustration Award: Best Illustrated book and Overall winner, Tom Burns for New York Trilogy. Shortlisted: Swava Harasymowicz, Birdsong; Jonathan Burton, Cover Her Face; Bill Bragg, The Human Factor; Tom Burns, New York Trilogy; Michael Kirkham, Zuleika Dobson.
Design Week Awards: Editorial Design category. Won with The Sea, The Sea, illustration by Tatsuro Kiuchi.


2008

Association of Illustrators, Images 32, Book category: Gold for Tom Burns for New York Trilogy