Illustrated by Ingahild Grathmer, drawn by Eric Fraser
Successive generations have been spellbound by the exploits of Frodo, Gandalf and their comrades as they journey towards Mordor to do battle with the Dark Lord Sauron.
The original ‘fantasy’ series, and still the greatest, The Lord of the Rings has sold over 100 million copies, been translated into more than 40 languages, and has been voted the best book of the 20th century, while The Hobbit has never been out of print since first published in 1937. If there are any works of fiction that deserve to be owned in magnificent editions – these are surely the ones.
Successive generations have been spellbound by the exploits of Frodo, Gandalf and their comrades as they journey towards Mordor to do battle with the Dark Lord Sauron. There is something about the alluring world of elves, dwarves and old magic which has proved exceptionally popular, working on the imagination both as an enthralling adventure story and, at a deeper level, as 'a comprehensive counter-myth to the story of the 20th century' (Independent). Tolkien’s treatment of the eternal struggle between good and evil, from stirring battles (‘as good as anything in Homer,’ according to C. S Lewis) to the conflict within every individual, is subtle, lyrical and profound.
Since the dawn of time, storytelling and the fantastic have gone hand in hand. All cultures have their myths – tales of gods and giants, monsters and marvels. An increasing interest in the roots of culture, together with a recognition of the importance of myth and archetype in understanding the human condition, led to a reflorescence of myth-based literature in the 20th century.
J.R.R. Tolkien, the reclusive, pipe-smoking Oxford don, was in the vanguard, and so great was his achievement that his name became virtually synonymous with the literature of fantasy.
The strength of Tolkien's work is in its fidelity to its roots, which lie in the legends of the Nordic world. Tolkien believed that the roots of myth and the roots of language are one and indivisible, and he demonstrated this belief by creating an entirely new language (Elvish) with its own grammar, its own beautiful script and its own mythology. it was a rarefied and highly personal world, yet it proved a fertile soil from which his great fantasy novels were to grow.
Eric Fraser was one of the foremost British illustrators of the 20th century. His images – a total of 7 full-page images and 57 head-pieces – are based on original designs by Queen Margrethe II of Denmark. Tolkien had seen her sketches and was so impressed that his executors gave special permission for Fraser to interpret them for these Folio editions. Covers blocked in gold and maps of Middle Earth as endpapers complete this superb edition of one the world’s favourite stories.
'A compelling grandeur of vision, a searing inventiveness and a depth of humanity give it a rare - and rewarding - greatness'
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Review by anon on 3rd Jan 2018
"The content needs no comment. This (four point) review is about the production. First off, as ever Folio make a beautiful job of the materials, printing and binding. These are hardbacks that are stitc..." [read more]
Review by anon on 2nd Mar 2016
"For a book I re-read every few years, only Folio's edition will do. Queen Margarethe's illustrations are so right, and the pages soften beautifully with use,surrounded by the sparkle of gold on the co..." [read more]
Review by Finrod Felagund on 30th Jul 2015
"This set of The Lord of the Rings by the Folio Society is the most beautiful and exquisite of all the editions of Tolkien's beloved work. The binding is superb and soft to the touch, and the text was ..." [read more]