Illustrated by Pam Smy
With a new introduction by the author, this brilliantly funny ghost story for children features integrated illustrations by artist Pam Smy.
Someone is causing havoc in East End Cottage, and for once it isn’t James. When strange scrawled notes start appearing all over his new family home in the old Oxfordshire village of Ledsham, 10-year-old James seems the obvious culprit. But only he knows the troublemaker’s true identity – Thomas Kempe, a petulant 17th-century sorcerer who has taken up residence as a poltergeist in his new bedroom. And to make matters worse, no one will believe him. So, to avoid missing out on pocket money and pudding for the rest of his life, it will be up to James to find out why Thos. Kempe Esq., Sorcerer, has returned, and how to get rid of him.
‘The Ghost Of Thomas Kempe is a glorious reminder of the fun of being a boy’
First published in 1973, and winner of the Carnegie
Medal, The Ghost of Thomas Kempe is a brilliantly
funny ghost story for children, from one
of the great writers of modern
British fiction. But, as Penelope Lively explains
in her new introduction that
there is ‘intriguing hidden
ballast’ to James’s quest to rid Ledsham
of its troublesome ghost. Uncovering dusty
diaries and investigating local folklore, James delves
deeper into the past and slowly comes to realise that
there is an undiscovered world around him, one filled
with the memories of lives lived before his own. Lively’s
own interest in social history and memory, which
suffuses much of her later adult fiction, informs James’s
own adventure as he begins to realise his place in the
passage of time, and that we can’t all be ten forever.
‘I am so impressed by the design of the title page, the choice of paper, the quality of the printed greys and the way the light blue and petrol blue of the cover sit together. It even smells good! You and your team have taken such care over every detail’Pam Smy has created over two dozen whimsical illustrations for this edition. Characters such as Mrs Verity, Tim the dog and Bert – the builder-cum-exorcist – are brought vividly to life. Many of the images are integrated with the text, whisking the reader along with James around the streets of Ledsham and the beautiful Oxfordshire countryside.
An extract from the author’s new introduction to this edition
The Ghost of Thomas Kempe was published in 1973. It is over 40 years since it was written – by some alter ego, or so it seems. Read today, it is familiar to me, but also strange; I couldn’t write like that now – indeed, writing for children left me long ago, to my regret. But what is intriguing, reading with some detachment, is that I can recognise with absolute clarity the prompts, the sources, for the story, and they are just the same as those for adult fiction, later in a writing life. Inspirational triggers, for me, have been a curious marriage of something read, something seen or found, and all the encircling clamour of life as lived.
The something found was the stem and bowl of a clay pipe. Thomas Kempe’s clay pipe, I suppose. Many bits of clay pipe, indeed. We were living at the time in a 16th-century former rectory; the garden there threw up fascinating domestic detritus – broken crockery from medieval potsherds to Victorian flowered china, the curved glass bases of 18th-century wine bottles, and all those clay pipes. Gardening acquired an extra level of interest. Clay pipes, I learned, date from the end of the 16th century to the 19th, and vary from decade to decade, so that archaeologists can often use them to date a level of excavation. The stems are extremely brittle; the past must echo to expletives as yet another damn pipe fell to bits. I collected all this stuff – a cake tin full of garden archaeology which I still possess – and at some point the ghost of Thomas Kempe, or someone like him, came smoking out of one of those pipes.
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Review by cheekyal on 16th May 2016
"This was such a pleasure to read, I have just completed it in two sittings. As usual, an exemplary presentation from the Folio Society, with wonderful illustration throughout. I was completely unfa..." [read more]