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In return for this special offer buy just 4 books from our extensive Folio collection.
The original ‘fantasy’ series, and still the greatest, The Lord of the Rings has sold over 100 million copies, been translated into more than 40 languages, and has been voted the best book of the 20th century, while The Hobbit has never been out of print since first published in 1937. The Silmarillion, published after Tolkien's death in 1977, reveals the tapestry of myths and legends which fill the world of the first two books. If there are any works of fiction that deserve to be owned in magnificent editions – these are surely the ones.
For more than half a century readers have journeyed alongside Bilbo Baggins in The Hobbit, and his nephew Frodo in The Lord of the Rings. Leaving his comfortable hobbit hole Bilbo goes on a reluctant adventure to defeat a dragon, and along the way he encounters the vile, but pathetic Gollum, and his ‘Precious’ – a ring that makes its bearer invisible, and wields a terrible power of its own. Frodo’s quest is more deadly, a flight from peril into peril, for the Dark Lord has awoken, and is searching for the Ring. Tolkien’s treatment of the eternal struggle between good and evil, from stirring battles (‘as good as anything in Homer,’ according to C. S Lewis) to the conflict within every individual, is subtle, lyrical and profound.
All of the collection is Illustrated by Eric Fraser, one of the foremost British illustrators of the 20th century, his images are based on original designs by Queen Margrethe II of Denmark. Tolkien saw her sketches and was so impressed that his executors gave special permission for Fraser to interpret them for these Folio editions. Covers blocked in gold and maps of Middle Earth as endpapers complete this superb edition of one the world’s favourite stories.
Bilbo Baggins is a reasonably typical hobbit: fond of sleeping, eating, drinking, parties and presents. However, it is his destiny to travel to the dwarflands in the east, to help slay the dragon Smaug. His quest takes him through enchanted forests, spiders' lairs, and under the Misty Mountains, where he comes across the vile Gollum, and tricks him out of his 'Precious' - a ring that makes its bearer invisible, and wields a terrible power of its own.
Successive generations have been spellbound by the exploits of Frodo, Gandalf and their comrades as they journey towards Mordor to do battle with the Dark Lord Sauron. There is something about the alluring world of elves, dwarves and old magic which has proved exceptionally popular, working on the imagination both as an enthralling adventure story and, at a deeper level, as 'a comprehensive counter-myth to the story of the twentieth century' – The Independent. Tolkien’s treatment of the eternal struggle between good and evil, from stirring battles (‘as good as anything in Homer,’ according to C. S Lewis) to the conflict within every individual, is subtle, lyrical and profound.
J. R. R. Tolkien began creating the mythology, traditions and language of 'Middle-earth' long before The Lord of the Rings and The Hobbit ever found their way to the printed page. Known as The Silmarillion, it was a book Tolkien would add to throughout his life, a rich tapestry of tales which told of the creation of the world in the First Age, the coming of Elves and Men, the theft of the Silmarils – the jewels containing the pure light that illuminated 'Middle-earth' – and the wars between the first Dark Lord and the High Elves.
Since the dawn of time, storytelling and the fantastic have gone hand in hand. All cultures have their myths – tales of gods and giants, monsters and marvels. An increasing interest in the roots of culture, together with a recognition of the importance of myth and archetype in understanding the human condition, led to a reflorescence of myth-based literature in the 20th century.
J.R.R. Tolkien, the reclusive, pipe-smoking Oxford don, was in the vanguard, and so great was his achievement that his name became virtually synonymous with the literature of fantasy.
The strength of Tolkien's work is in its fidelity to its roots, which lie in the legends of the Nordic world. Tolkien believed that the roots of myth and the roots of language are one and indivisible, and he demonstrated this belief by creating an entirely new language (Elvish) with its own grammar, its own beautiful script and its own mythology. it was a rarefied and highly personal world, yet it proved a fertile soil from which his great fantasy novels were to grow.
First of these, and for many the finest, was the tale of Bilbo Baggins, the sedentary hobbit who is persuaded by the benign wizard Gandalf into joining a treasure hunt. Bilbo survives a series of chilling adventures to become the unlikeliest of heroes in his confrontation with the dragon Smaug. These adventures are drawn from mythic roots - the river of forgetfulness, the trolls turned to stone by the touch of daylight, the ring of invisibility, the monster - and their mythic power is channelled through magnificent storytelling.