The Letterpress Titus Andronicus book

A Folio Society limited edition

The Letterpress Titus Andronicus

William Shakespeare

Shakespeare's first foray into the revenge tragedy. Its horrors are notorious, but its powerful poetry of grief is the work of a true tragic poet.

Only 300 copies available

Published price: US$ 545.00

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The Letterpress Titus Andronicus

'So, now go tell, an if thy tongue can speak,
Who’twas that cut thy tongue and ravished thee'
Act 2, Sc. 4

Believed by many to be Shakespeare’s earliest work, Titus Andronicus was probably written in the 1580s or early 90s. The play is Shakespeare’s bloodiest, with rape, mutilation and fourteen killings, nine of them on stage. Yet the violence and spectacle of the play never overshadows the verse – Shakespeare’s command of language and his vivid characters provide a fascinating foretaste of the great tragedies.

Production Details

The Letterpress Titus Andronicus book
  • Limited to 3,750 copies, individually numbered on a special limitation page
  • Quarter-bound in goatskin leather, blocked in gold with hand-marbled paper sides; gilded top edge and ribbon marker.
  • Set in 16pt 'Monotype' Baskerville, printed by letterpress on mould-made paper.
  • Presented with a commentary volume which includes the text of the play and full explanatory notes.
  • Supplied in a buckram-bound solander box measuring 15" x 11" x 2¾". Letterpress volume: 14" x 10¾".
  • Commentary volume: bound in buckram. 8¾" x 5¾".

Letterpress Shakespeare volumes are bound to order and may take up to 6 weeks to be delivered


Creating The Letterpress Shakespeare

Since the First Folio in 1623 there have been countless editions of Shakespeare's works. The Folio Society wanted to do something unprecedented: to design an edition so pure, so simple, that the beauty of the text could be fully appreciated - an edition that would be as timeless as the text itself.

What would the ideal version of Shakespeare's works look like? What would result if simplicity and elegance were the goal rather than the dictates of fashion and cost efficiency?

These were the questions we asked ourselves when we embarked on our Letterpress Shakespeare series in 2006. The project was to occupy some of Europe's finest book designers, typesetters, paper-makers, printers and bindersfor eight years.

The starting point was the text. Rather than keep text and commentary together, we decided to put them into separate volumes. Out went the elements that clutter the page : footnotes and textual variants. All that was left was Shakespeare's words.

We decided to have the text printed by letterpress in 16-point Baskerville. The type is set in hot metal and impressed on thick, mouldmade paper. The margins are generous - over 6 centimetres - to allow the words room to breathe.

The result is a simple, understated design that is a delight to read and a pleasure to hold.

Read more about how we made the Letterpress Shakespeare

Inside the lettepress process


Stan Lane, a master Typesetter and Printer, talked to us about the process of printing our letterpress Shakespeare. Lane has been setting type for The Folio Society for 25 years and is one of the few craftsmen still skilled in the fine art of letterpress printing. Although labour-intensive, letterpress has a depth and elegance that modern printing cannot replicate.

Jemma Lewis talked to us about the process of hand marbling paper for the letterpress Shakespeare. In this beautiful process droplets of oil are floated on a special solution and combed into patterns so that each sheet of paper bears a unique design. 

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