Introduced by Janine di Giovanni
The first illustrated edition of Steinbeck’s absorbing dispatches for the New York Herald Tribune.
In 1943 John Steinbeck joined the New York Herald Tribune as a war correspondent. He was a celebrated novelist, but a novice reporter, keen to adapt his skills to the task ahead. Attached to a programme in which small units of American soldiers raided Mediterranean beaches, he travelled first to England, where he recorded the experiences of soldiers and civilians, writing from troopships, bomber stations, army bases and from London during the Blitz. In North Africa, he watched the soldiers as they trained for action in Italy, before boarding a Landing Craft Infantry with them and reporting from the battlefield itself.
Bound in buckram.
Printed with a photograph of Ground Crews
of the 324th Bomb Squadron, 26 February 1944.
Set in Haarlemmer with Scotch Roman display.
Frontispiece and 12 black & white plates.
Book size: 9" x 6¼".
This book collects Steinbeck’s dispatches, pieces he described as ‘written under pressure and in tension’ and as ‘real as the wicked witch and the good fairy, as true and tested and edited as any other myth’. They focus not on military strategies, but the actions and reactions of ordinary people. He observes that after the Blitz, the memories of civilians often centred on a single, poignant image: a ‘pale blue evening slipper’ lying among the ruins of a restaurant; a woman selling lavender, her voice rising above the roar of bombs falling. He describes the troops’ homesickness and tiredness, the myths, jokes and lucky charms that sustain them, and the ‘many little things you do when you go out on a mission’, such as stowing a letter under your pillow. He tells of the doctor whose eyes are ‘ringed with red sorrow’ after a night operating on children maimed by bombs and of how the British Army, to the consternation of the Government, adopted the German war song ‘Lili Marlene’. He provides domestic details, such as the vegetable gardens carefully co-tended by British and American soldiers. Later, in Italy, he describes his experience of extended bombardment – the pain before the senses are dulled, the distorted passage of time and sense of unreality, the sudden compulsion to sleep. ‘Men in prolonged battle are not normal men,’ he says.
‘Age can never dull this kind of writing’
This is the first illustrated edition of Once There Was a War, containing photographs that reflect Steinbeck’s human focus. One shows a woman applying her make-up in a bomb-damaged block of flats in London; another American troops resting on the deck of a liner. Born in the United States, Janine di Giovanni is one of Europe’s most respected journalists. The winner of multiple awards, she has reported on nearly every major conflict since the late 1980s. Like Steinbeck, her approach is to reveal the experiences of the individual. In a new preface, she reflects on the compassionate spirit of what Steinbeck called ‘a sad and jocular recording of a little part of a war I saw and do not believe’.
John Steinbeck was born in Salinas, California, in 1902. He is best known for his Pulitzer Prize-winning novel The Grapes of Wrath (1939), as well as Of Mice and Men (1937) and East of Eden (1952). In 1943 Steinbeck served as a war correspondent for the New York Herald Tribune and worked with the Office of Strategic Services (the predecessor of the CIA). In addition to the articles collected in Once There Was a War (1958), his war writing includes Bombs Away (1942) and The Moon Is Down (1942). He died in 1968, having won the Nobel Prize in Literature 1962.
Janine Di Giovanni is an award-winning foreign correspondent, regularly contributing to the New York Times, Granta, and Newsweek. She has reported nearly every violent conflict since the late 1980s, and has made a trademark of writing about the human face of war. She has won the National Magazine Award and two Amnesty International Awards, and her recent publications include Madness Visible: A Memoir of War (2004), The Place at the End of the World: Essays from the Edge (2006), and Ghosts by Daylight: A Memoir of War and Love (2011).
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Review by amstorey on 14th Jul 2015
"The quality of the book is excellent as you would expect from The Folio Society. "