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Production Details:
Bound in cloth, Set in Garamond
6 colour plates
10½" x 7½", 544 pages
A series of revelations made over a span of 23 years to the Prophet Mohammed, the Qur’ân is revered by Muslims throughout the world as the unmediated word of Allah. Evoking devotion and passion amongst the faithful, this sacred book, composed in transcendentally beautiful language, is at the heart of one of the world's great faiths.
The collection of the acts and dictums of Mohammed and his companions, known as the Hadith, prohibits the depiction of living creatures. As a result, Islamic art developed a unique emphasis on intricate, breathtaking patterns, geometric or naturalistic designs and the most beautiful calligraphy.
With illustration reproduced from a treasure of the British Library
This Folio edition includes six double pages reproduced from the opulent Qur’ân of Sultan Baybars, commissioned in 1304. This is one the most magnificent of all Islamic manuscripts, with exquisite decoration added by the team of the master illuminator Abu Bakr, and it is now held in the British Library. The binding design by Frances Button is based on a frontispiece of the same work.
A modest and deeply thoughtful man, Mohammed was forty when he received the first revelation from the Angel Gabriel. His initial fear and reluctance, and the subsequent encouragement of his wife, is a story familiar even to non–Muslims. During the years of his persecution in Mecca, the flight to Medina and the battles which would follow, the revelations continued – sometimes relating to very specific events, at others providing guidance on timeless moral questions. Mohammed, as Muslims believe, was the last and greatest in a line of prophets that began with Adam, and included Abraham, Moses, John the Baptist and Jesus. The Qur’ân’s text was finalised very soon after Mohammed’s death, providing an unbroken line of authority, from the words heard by the Prophet to the book recited and read today. This Folio edition includes Pickthall’s insightful introductions to each Surah, providing both a historical and spiritual context to the revelations.
Translations of Mohammed’s revelations from the 7–century Arabic have always raised deeply vexed questions. The first translation of the Qur’ân in the West was made by the 12th century monk Robert of Ketton. 800 years later, Marmaduke Pickthall was the first English Muslim to translate the Qur’ân. He himself called his work an ‘interpretation’, aware that although the literal meaning could be rendered, the perfection of the original was untranslatable: ‘That inimitable symphony, the very sounds of which move men to tears and ecstasy’. He collaborated closely with Islamic authorities and scholars as he worked, with the result that few translations have won such widespread respect and affection within the Islamic world.
Keywords - Quran, Koran
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