The Letterpress Julius Caesar book

A Folio Society limited edition

The Letterpress Julius Caesar

William Shakespeare

Shakespeare's shortest play is a perennially relevant analysis of conspiracy, betrayal, and assassination.

Only 300 copies available

Published price: US$ 545.00

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The Letterpress Julius Caesar

'Not that I loved Caesar less, but that I loved Rome more'
Act 3, Sc. 2

The tragedy of an ‘honourable’ man who discovers too late that the consequences of a single act of violence cannot be predicted or controlled – Julius Caesar is perennially relevant. With Caesar’s triumphant return from the Civil War, Brutus fears that his friend may become a tyrant and dismantle the Republic. Even if Brutus’ motives are honourable, a potent mixture of resentment and lust for power are the real inspiration for the actions of his fellow conspirators.

Production Details

The Letterpress Julius Caesar book
  • Limited to 3,750 copies, individually numbered on a special limitation page
  • Quarter-bound in goatskin leather, blocked in gold with hand-marbled paper sides; gilded top edge and ribbon marker.
  • Set in 16pt 'Monotype' Baskerville, printed by letterpress on mould-made paper.
  • Presented together with a commentary volume which includes the text of the play with full explanatory notes.
  • Supplied in a buckram-bound solander box measuring 15" x 11" x 2¾". Letterpress volume: 14" x 10¾".
  • Commentary volume: bound in buckram. 8¾" x 5¾".

Letterpress Shakespeare volumes are bound to order and may take up to 6 weeks to be delivered


Creating The Letterpress Shakespeare

Since the First Folio in 1623 there have been countless editions of Shakespeare's works. The Folio Society wanted to do something unprecedented: to design an edition so pure, so simple, that the beauty of the text could be fully appreciated - an edition that would be as timeless as the text itself.

What would the ideal version of Shakespeare's works look like? What would result if simplicity and elegance were the goal rather than the dictates of fashion and cost efficiency?

These were the questions we asked ourselves when we embarked on our Letterpress Shakespeare series in 2006. The project was to occupy some of Europe's finest book designers, typesetters, paper-makers, printers and bindersfor eight years.

The starting point was the text. Rather than keep text and commentary together, we decided to put them into separate volumes. Out went the elements that clutter the page : footnotes and textual variants. All that was left was Shakespeare's words.

We decided to have the text printed by letterpress in 16-point Baskerville. The type is set in hot metal and impressed on thick, mouldmade paper. The margins are generous - over 6 centimetres - to allow the words room to breathe.

The result is a simple, understated design that is a delight to read and a pleasure to hold.

Read more about how we made the Letterpress Shakespeare

Inside the lettepress process


Stan Lane, a master Typesetter and Printer, talked to us about the process of printing our letterpress Shakespeare. Lane has been setting type for The Folio Society for 25 years and is one of the few craftsmen still skilled in the fine art of letterpress printing. Although labour-intensive, letterpress has a depth and elegance that modern printing cannot replicate.

Jemma Lewis talked to us about the process of hand marbling paper for the letterpress Shakespeare. In this beautiful process droplets of oil are floated on a special solution and combed into patterns so that each sheet of paper bears a unique design. 

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