Plunging into the Cultural Olympiad

The Olympics is kicking off in London in a month’s time, and we are starting to gear up in Eagle Street – which mainly means considering alternative ways to get to work! Despite all the delightfully British grumbling over cost, design, architecture, website crashes and transport, I am rather pleased to see the whole event coming together. Arranging a party leaves me prostrate for a week, the thought of arranging the Olympics fills me with a certain kind of awe. Not content with organising 36 sports with 14,000 athletes from 205 countries, London 2012 also includes a Cultural Olympiad of over 12,000 events.

This is rather more my thing than sport. Although to be honest, the event I am most excited about is ‘Sacrilege’, a bouncy castle version of Stonehenge. I was also quite interested in a ‘What you Will’ performance in which 50 actors will fall into conversation with passers-by and give a Shakespeare speech. I can’t really hang around street corners, though, in the hope that a handsome young man will approach me to say ‘nymph, in thy orisons be all my sins remembered’.  Knowing my luck, I’d get Timon of Athens spitting insults at me – appropriately Olympic if one thinks about it.

Sacrilege in Glasgow

In fact, despite the trend for theatrical pop ups and street performance, tonight I am going to a Cultural Olympiad event comfortably seated in a theatre. Handspring Puppet Company (famous for the puppets in the National Theatre production of War Horse) is performing a show based around Ted Hughes’s Crow poems. These are – for my money – a better reflection of British poetic talent than the rather hastily knocked up musings on legacy and the East End that I’ve read from current poets.

Despite occasional bursts of cynicism, I really want to go to many of the events being put on. There’s The Owl and the Pussycat being performed along London’s canals in a production devised by Terry Jones of Monty Python fame. Due to my Patrick O’Brian obsession, I’m even secretly looking forward to the performance of ‘All the Bells’ in which all church bells and ships bells in the Royal Navy will be rung on 27th July.

If the thought of all this culture horrifies you, I think an extended holiday over the summer may be the only answer. It will probably be far easier to simply watch the sporting events on TV, without worrying about an actor popping up to quote Shakespeare to you as you try to make your way through the crowds in London.

 

 

Folio artist wins at V&A Illustration Awards

The other night I was at the V&A Illustration Awards because Matthew Richardson had been nominated for the Best Illustrated Book Cover Award for his work on our edition of The Outsider. Actually – we arrived early and caught sight of the display – which meant we knew we had won in advance and did most of our jumping up and down in excitement before there was a crowd to witness it.

Matthew Richardson

Matthew Richardson

The Folio team still raised a cheer when Matthew won – we all felt he deserved it and were delighted to see our own judgement validated by the panel. It was also great hearing Moira Gemmill, V & A Director of Projects, Design and Estates, mention Folio’s impressive production standards.

It made Matthew a double winner, because he had won The Folio Society and House of Illustration annual award – the prize being a commission to illustrate The Outsider by Albert Camus. I had been one of the judges who selected Matthew on the basis of his three sample illustrations and binding design. Despite having been so impressed by Matthew’s work, we had never met in person, because I had gone on maternity leave the week before the award ceremony. So it was great to meet him in person – especially as I’ve been working with him on some new illustrations for a short story to appear in the next Folio magazine.

The Outsider Cover Art

The Outsider Cover Art

I have been asked to judge a few illustration awards – partly because The Folio Society has such a good name as a commissioner of illustrations. For our own illustration award, we deliberately reserve half the prizes for student illustrators in order to encourage fresh talent. Actually there’s no need for a ‘quota’, the young illustrators all won their places on merit.

I’m not allowed to say anything about who has won this year’s award – but I can say you should go and look at the sample illustrations from the shortlist. Once again we were very impressed by the work, and by the variety of interpretation. Do leave comments on what you think!

http://www.foliosociety.com/pages/illustration-competition